Monday, September 28, 2015

Scribble Book - works in progress

Echeveria color study.

Echeveria color inspiration.


Echeveria Color Study I
6" x 6" x3/4"
Acrylic on wood panel.

SCRIBBLE BOOK:


Monday, July 27, 2015

Ed Moses

Latest happenings with Ed Moses.
"I don't want to be a goddamned artist. It's such a wimpy thing to want to be."
- Ed Moses.

At the age of 89, Ed has currently a drawing retrospective at the LA County Museum of Art and a solo show at the William Turner Gallery in Santa Monica.

Video with Ed Moses and Leslie Jones, curator of prints and drawings at the LACMA,
Tuesday, June 9th, at the William Turner Gallery.
http://williamturnergallery.com/VIDEOS/Ed_Moses_Talk_2015/Ed_Moses_2015.htm

'My Afternoon with Ed', interview by Stephen Goldberg.
http://artillerymag.com/art-brief-ed-moses/

'Ed Moses says he doesn't make "art" - he makes "magic", interview by Darby Maloney and John Horn: http://www.scpr.org/programs/the-frame/2015/05/29/42820/ed-moses-says-he-doesn-t-make-art-he-makes-magic/

Great photos of Ed Moses in his studio by Jim Newberry:
http://www.jimnewberry.com/artist-ed-moses-for-kpcc/


Ed Moses in his Venice, California studio.
Photo by Allan Shaffer.

Ed Moses, Avilda, 1963
Graphite with paper engineering on board.
5 1/2" x 6"
Photo: Louis Stern Fine Arts

Installation view of Ed Moses, Now and Then
Photo: William Turner Gallery.

Monday, July 13, 2015

William Rubin on Ellsworth Kelly

From Art News, Converting Painting Into Sculpture: Ellsworth Kelly's Signature Style, in 1963.

Coinciding with a current show at Matthew Marks New York Gallery, Art News recently revisited this article written on Kelly's work in 1963. If you can get past the first few paragraphs, this is well worth the read.
From Art News: http://www.artnews.com/2015/06/19/converting-painting-into-sculpture-william-rubin-on-ellsworth-kellys-signature-style-in-1963/

Ellsworth Kelly, Works in Exhibition:
http://www.matthewmarks.com/new-york/exhibitions/2015-05-13_ellsworth-kelly/works-in-exhibition/#

Also check out this 2011 interview with Ellsworth Kelly by Gwyneth Paltrow from Interview magazine: http://www.interviewmagazine.com/art/ellsworth-kelly#_

Matthew Marks installation video:
http://www.matthewmarks.com/new-york/exhibitions/2015-05-13_ellsworth-kelly/installation-video/


Installation view of Ellsworth Kelly at Matthew Marks Gallery.
All photos: Matthew Marks Gallery


I think this painting below is an absolute KILLER.
White Relief over Gray, 2013
Oil on canvas with two joined panels.
60" x 65"
All photos: Matthew Marks Gallery

Blue Angle, 2014
Painted aluminum.
90" x 150" x 4 1/8"
All photos: Matthew Marks Gallery


Detail of Blue Angle, 2014
Painted aluminum.
90" x 150" x 4 1/8"
All photos: Matthew Marks Gallery

And of course I like this one which reminds me of Tony DeLap. 
White Curve in Relief over White (Belle Ile), 2013
Oil on canvas with two joined panels.
47 1/4" x 84"
All photos: Matthew Marks Gallery




Wednesday, June 24, 2015

Sunday, June 21, 2015

Charles Pollock: A Retrospective

The Peggy Guggenheim Collection (Venice) is presenting a retrospective of Charles Pollock's work which includes abstract paintings that rival, or to my mind surpass, his more famous brother Jackson's work. http://www.guggenheim-venice.it/

The exhibition runs from April 23rd through September 14th.

For more information and a VIDEO of the exhibition, click here:
http://www.guggenheim-venice.it/inglese/exhibitions/pollock365/charles-pollock.html

A great article, 'Seeing Charles Pollock anew in Venice' by Sebastian Smee for the Boston Globe:
https://www.bostonglobe.com/arts/theater-art/2015/05/30/out-jackson-shadow-seeing-charles-pollock-anew-venice/QDxinR0kjGML7jATJm4tUK/story.html

Rome Nine, 1962
Oil on canvas, 67" x 55"

Rome Thirteen, 1962
Oil on canvas, 67" x 55"

Chapala 5, 1956
Oil and tempura on canvas, 48" x 36"

Chapala 4, 1956
Oil and tempura on canvas, 48" x 36"

Robert Swain: Color Energy at Minus Space

I first encountered Robert Swain's work at the David Richard Gallery in Santa Fe. He has made a group of paintings specifically for the inaugural opening of the new Minus Space Gallery location in Dumbo, Brooklyn. Note: This exhibition closes July 4th !

Minus Space: "From his exhibition, Color Energy, Swain presents an immersive set of three 9'x9' paintings, in which squares of pure color are arranged into grids that are subtly modulated by hue, value, and saturation. The paintings are Swain's latest investigation into the color system he's developed over the past five decades. The centerpiece of this system is a 30-part color circle. These colors, when combined with the attributed of value (the lightness or darkness of a color) and saturation (the pureness of a color), produce a compliment of 4,896 distinct hues."

James Kalm interview with Matthew Deleget of Minus Space on Robert Swain's new paintings and the gallery's new location: http://www.minusspace.com/2015/06/robert-swain-james-kalm/

Robert Swain Color Energy at Minus Space.
Photos: Minus Space

Robert Swain Color Energy at Minus Space.
Photos: Minus Space

Robert Swain Color Energy at Minus Space.
Photos: Minus Space
Robert Swain Color Energy at Minus Space.
Photos: Minus Space
Robert Swain Color Energy at Minus Space.
Photos: Minus Space

Robert Swain, Untitled, 9x9 13HH Red, 2015
Acrylic on birch panel, 9'-0" x 9'-0".
Photo: Robert Swain

Robert Swain, Untitled, 9x9 - 6x1, 2015
Acrylic on birch panel, 9'-0" x 9'-0".
Photo: Robert Swain

Robert Swain, Untitled, 9x9 29-15:7E Green, 2015
Acrylic on birch panel, 9'-0" x 9'-0".
Photo: Robert Swain









For his exhibition Color Energy, Swain presents an immersive set of three new nine by nine foot paintings, in which squares of pure color are arranged into grids that are subtly modulated by hue, value, and saturation. The paintings are Swain’s latest investigation into the color system he’s developed over the past five decades. The centerpiece of his system is a 30-part color circle. These colors, when combined with the attributes of value (the lightness or darkness of a color) and saturation (the pureness of a color), produce a complement of 4,896 distinct hues. - See more at: http://www.minusspace.com/2015/05/robert-swain/#sthash.xzZ9wmCN.dpuf
For his exhibition Color Energy, Swain presents an immersive set of three new nine by nine foot paintings, in which squares of pure color are arranged into grids that are subtly modulated by hue, value, and saturation. The paintings are Swain’s latest investigation into the color system he’s developed over the past five decades. The centerpiece of his system is a 30-part color circle. These colors, when combined with the attributes of value (the lightness or darkness of a color) and saturation (the pureness of a color), produce a complement of 4,896 distinct hues. - See more at: http://www.minusspace.com/2015/05/robert-swain/#sthash.xzZ9wmCN.dpuf

Thursday, May 7, 2015

Patrick Wilson

Patric Wilson recently at the Art Market San Francisco.

You can see more of Patrick's absolutely kick-ass paintings at Susanna Vielmetter Projects here:
https://www.vielmetter.com/artists/patrick-wilson/selected-works.html


Patrick Wilson, Brass Monkey, 2010
Acrylic on canvas.
39" x 37"

And the following from Ameringer, McEnry, Yohe New York…
http://www.amy-nyc.com
San Andreas, 2015
Acrylic on canvas, 27" x 21".

Sierra Madre, 2015
Acrylic on canvas, 27" x 21".
Saguaro, 2015
Acrylic on canvas, 33" x 35".